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Ethiopian Art: The Walters Art Museum

The volume contains fine reproductions from the largest collection of Ethiopian art outside that country, held by the Walters Art Gallery in Baltimore. A text on the life and religious practices in Ethiopia by distinguished Ethiopian studies scholar Getatchew Haile and another by Jacques Mercier (Ethiopian Magic Scrolls) on the country's art history provide an introduction to the people, culture, and art of Christian Ethiopia and set the stage for an understanding and appreciation of the Ethiopian influence in works evocative of the religious art and iconography of Byzantium and Russia. Insightful contributions by C. Griffith Mann (The Visitor's Voice) on the role of various religious symbols in Ethiopian culture pay tribute to the technical skills of the artisans and place the artifacts within the customs and practices of that country. Offering useful information and delightful images for the student and enthusiast of world civilizations and cultures, this book provides, through an Ethiopian experience, a uniquely global perspective on the art of the Orthodox Christian world.

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Royal Farewell

According to the private weekly Tobia (February 11), Bitweded Zewde G. Hiwot, chairman of the executive committee of the "Haile Selassie I Memorial Foundation", told reporters on February 8, that his group had reached a tentative agreement with the government for the remains of the late sovereign to be moved from Bahta Mariam church to its final resting place at a special grave in St. Trinity Cathedral. He said foreign dignitaries and prominent Ethiopians would attend the ceremony.

There are no updates on this announcement and no changes in Eritrean-Ethiopian war. Ethiopia-Eritrea Conflict from BBC. The big news will be posted on Front Page. Also, see "Old" New Page

[ * NB. Sellassie WWW (angelfire.com/ak/sellassie) and House of Sellassie (linkopps.com/sellassie) are the only two hosts I do not pay yet; you can see their unrelated banners. We pay for Tripod (HIM), Yahoo and ourfamily.com (Sellassie Cyber Museum), right here.

The commercial banners you see are to support the Sellassie webpages; you visit and order = we get credit.

The era of "free internet" is over. I have to find some ways for webpages to pay for themselves. It's not "homepages" anymore. You can see how many sites went under, because of the cruel business of the net. Dead links. If by the end of 2004 we want be able to generate ad revenues, most of the content has to go "for subscribers only."

Anatoly ]

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